Dan Crane

The second episode of The Kibitz includes interviews with Transparent producers Zackary Drucker (who reveals how the Berlin 1933 storyline from season 2 was partially inspired by true events in her family), and Micah Fitzerman-Blue—who talks about what it’s like being a cisgender male in the writer’s room, and growing up as the son of a rabbi in Oklahoma. 

Also featured are brothers Rabbi David Kasher and comedian Moshe Kasher, Mishy Harman from the great podcast Israel Story, and my 95-year old nana telling jokes!

And, Christopher Noxon tells a hilarious and harrowing story of his conversion—including the adult circumcision ritual! 

Download Episode 2 at The Kibitz or better, subscribe on iTunes.

You don’t have to be Jewish to listen to The Kibitz…but it helps! Our debut episode is all about Hanukkah and features Moshe Kasher & brother David Kasher, Ronna & Beverly, the Sklar Brothers, chef Micah Wexler (of Wexler’s Deli) and others!

If you’ve never had a kardemummabulle, you simply haven’t lived. I did the grueling legwork of finding the best cardamom buns in Stockholm so you wouldn’t have to. You’re welcome!

When Instagram Culture Ruins a Vacation
The downside of finding an idyllic beach in Mallorca: The selfie-stick-equipped hordes were already there.

I spent over a year documenting Yuval Sharon and company’s process of writing and producing Hopscotch, an opera that will take place inside 24 limousines in and around Los Angeles. Check out the story in California Sunday Magazine.

Stories can come from the most unexpected places. The origin of this one goes back to a night out drinking with international air guitar legend, Zac Monro. Zac told me about a community currency called The Brixton Pound, and then pulled out an amazing looking note graced by David Bowie. And thus, this piece in the Times was born.

I wrote a piece in the NY Times Sunday Styles section attempting to answer the age old question: Should a dog be allowed to sleep on the bed? The American Kennel Club, Cesar Millan, Dr. Stanley Coren and several others weighed in. Turns out my shrink had the answer all along…

 

 

I drove by this store in Echo Park every day for months, and then finally decided to check it out. Then I wrote about it for the New York Times / T Magazine. It’s a bit like a Portlandia sketch, but with cacti instead of things with birds printed on them. They have a crazy array of cacti to choose from. Not cheap, but worth just checking out.

 

After reading that Neil Armstrong’s widow discovered some artifacts from Apollo 11, and coincidentally, after listening to the amazing Song Exploder podcast (ep.  28 – The Long Winters), I was inspired to write this story for Slate.

 

Regarding the state of journalism today, may I present this email exchange between myself, and an editor from Flaunt Magazine:

—-

Hi Andrew —

Thank you for your kind, albeit short-notice proposal to have me write 600 words for the Art & Technology issue of Flaunt Magazine. What a shame your generosity failed to include paying me.

I’m an adult, and have been working as a professional journalist for over ten years. I’m not seeking an internship. Thus, I shall pass on your offer of a “springboard for future (paying) gigs” with a magazine that feels that the quality of the writing within its pages is worth $0.

May I remind you that you sought me out, noting that you were a “big fan” of my work. Why, then, would you assume that I’d be willing to write anything, particularly something so incredibly last-minute, for PRECISELY ZERO MONEY? What on earth would possibly compel me to spend the bulk of my day researching this artist in order to conduct a phone interview with her at 9am tomorrow morning, and then compose a 600 word story for your magazine—were it not for financial remuneration?

I’m fascinated that you find it such an honor to write for your magazine, simply because it is “internationally distributed” and “award winning;” and yet, you cannot afford to pay the people who write the copy in said magazine. What sorts of awards have you garnered? The coveted, Best Magazine at Duping Poor Writers Into Working for Free award?

How is it that you spend so much money on production that you don’t have money leftover to pay writers, but then magically DO have money (I dare ask how little) once they’re no longer “first time” contributors?

If you needed samples of my work, surely you could have found them on my web site, on the New York Times* web site, or in any of the other numerous publications for which I have written over the past decade.

Best of luck finding some poor writer to exploit, for free.

-Dan Crane

*Internationally distributed and award winning!

—-

On Nov 17, 2014, at 10:37 AM, andrew stark <xxxx@flauntmagazine.com> wrote:
Hi, Dan –

This Jill piece will run about 600 words. This is our Art & Technology Issue, which is one of our biggest and most popular issues of the year, to be featured at this year’s Art Basel Miami.

And Jill, although a reasonably short piece, will be one of our cover features.

Now the unfortunate fine print: FLAUNT is an entirely independent magazine, so most of our budget goes into production. That said, we typically don’t have enough to pay first-time contributors, but see this as a springboard for future (paying) gigs. However, FLAUNT is internationally distributed and award-winning, and widely regarded for its editorial and artwork, and I still hope you consider contributing.

Please let me know your thoughts, and I look forward to hearing back.
Thanks so much!

Andrew

A N D R E W S T A R K
P: +1 323 836 1046
xxxxx@flauntmagazine.com
F L A U N T M A G A Z I N E
P: +1 323 836 1000 | F: +1 323 836 0102
1422 North Highland Avenue
Los Angeles, CA 90028

—-

From: Daniel Crane
Date: Mon, 17 Nov 2014 10:03:01 -0800
To: Admin <xxxxx@flauntmagazine.com>
Subject: Re: FLAUNT/Feature

Hi Andrew,

I could probably swing that, though I suppose it depends on how long of a piece it would be for?

Also, can I ask what your rate is?

Thanks!
D

Sent from my iPhone

—-

On Nov 17, 2014, at 9:48 AM, andrew stark <xxxxx@flauntmagazine.com> wrote:

Hi, Dan –
Any interest in a phone interview with artist Jill Magid tomorrow at 9:00 a.m. PST?

I know it’s short notice, but that’s often the case with magazines.

Please let me know.

Thanks so much!

Andrew

A N D R E W S T A R K
P: +1 323 836 1046
xxxxx@flauntmagazine.com
F L A U N T M A G A Z I N E
P: +1 323 836 1000 | F: +1 323 836 0102
1422 North Highland Avenue
Los Angeles, CA 90028

—-

From: Dan Crane
Date: Fri, 14 Nov 2014 11:11:10 -0800
To: Admin <xxxxx@flauntmagazine.com>
Subject: Re: FLAUNT/Feature

Hey there – Just checking back in on this…any updates?
Thanks!
D
_______________________
https://www.dancrane.com
@dancranehere

—-

On Nov 11, 2014, at 6:46 PM, andrew stark <xxxxx@flauntmagazine.com> wrote:

Hey!

Will keep you updated as details roll in.

Thanks!
Andrew

Sent from my iPhone

—-

On Nov 11, 2014, at 6:38 PM, “Dan Crane” wrote:

Hey Andrew –

Good to hear from you. My schedule’s a little tight right now, so it sort of depends on where/when and number of words?

Let me know and hopefully we can work something out!

Thanks,
D
_______________________
https://www.dancrane.com
@dancranehere

—-

On Nov 11, 2014, at 3:25 PM, andrew stark <xxxx@flauntmagazine.com> wrote:

Hey, Dan –

Big fan of your work.

I’m an editor at FLAUNT Magazine, an international award-winning arts and culture publication based in Los Angeles.

Any interest in interviewing designer Brian Lichtenberg for our upcoming issue?

Let me know, and we can hash out the details.

Thanks, man!
Andrew

A N D R E W S T A R K
P: +1 323 836 1046
xxxx@flauntmagazine.com
F L A U N T M A G A Z I N E
P: +1 323 836 1000 | F: +1 323 836 0102
1422 North Highland Avenue
Los Angeles, CA 90028

I got a chance to interview Damian Kulash from OK GO for NYLON Guys just after he finished shooting their new video in Japan. If you can name a great band with a nicer, smarter, more creative lead singer, I’ll eat my shoe.

Here’s the piece I wrote.

And here’s their amazing new video: